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Sound recording



The challenge is always the same, the manner of achieving the best result is always different: recording exactly the right sound to go with the image; just that sound that goes with the whole picture.

Intriguing the subconscious.

Searching for elements that a sound technician wants to add, what you can achieve where the image falls short.

"If you can "hear" the sound, it's not right."

Galavazi Geluid


CV Download version Curriculum Vitae (English)


The First Dutch Netflix Original (dramaseries 2019), director Giancarlo Sanchez, Michiel ten Horn, DOP Stephan Polman, Joris Kerbosch, production Pupkin/Netflix, function: Production Soundmixer

Backlight, episode Peter Pomerantsev (2019), director Shuchen Tan, DOP Erik van Empel, function:Sound

Arising from the Ground, Art Installation (2018), artist Mariken Wessels, function: underwater photography and -film

The making of Who the f*** is Oom Jo?, documentary (2018), director Ineke Houtman, DOP Sander Snoep, production EO, function:Sound

HOY CUBA! documentary series (2018), director Maaike de Gruyter, DOP Joost van Herwijnen, production: VPRO function: Sound

Andalucía, documentaryseries (2018), director Stef Biemans, DOP Joost van Herwijnen, production Bicicléta TV, function: Sound

Erik Scherder looking for the Secret of Methusalem, documentaryseries (2018), director Sandra L.Poppenk, DOP Joost van Herwijnen, production EO, function: Sound

Berlin Alexanderplatz, feature film (2018), director Burhan Qurbani, DOP Yoshi Heimrath, production Sommerhaus/ Lemming, function: Production Sound Mixer

Hereafter, telefilm (2018), director Willem Bosch, DOP Jacco van Ree, production Pupkin, function: soundmixer/1st boomop

The Widow, dramaseries(2018), director Samuel Donovan, DOP Stuart Howell, production Two Brothers Pictures, function: soundmixer/1st boomop

Niet Schieten, feature film (2017), director Stijn Coninx, DOP Danny Elsen, production Eyeworks Be/KaapHolland, function: Production Soundmixer



Copyright: Galavazi Geluid